Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. Jack O' Diamonds, Lonnie Donegan Hit Parade -- Vol 5 In 1949, he was drafted into the British Army. By the spring of 1955, he was signed to Pye Records, and his single, "Lost John," hit number two in England, although it never hit in America. WebFecha de Nacimiento: 26 de febrero de 1971 Biografa Es una cantante estadounid www.hillmanweb.com Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. & Aug. 2, 1956) Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. 2000, Jazz - Released by RevOla on 22 jul. His taste in jazz went toward Louis Armstrong and Gene Krupa. Donegan's "Gamblin' Man" / "Puttin' On the Style" single was number one on the UK chart in July 1957, when Lennon first met Paul McCartney. Albums include Lonnie Donegan Showcase, Rock Island Line / John Henry, and The Skiffle Sessions: Live in Belfast. Putting On The Style. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. Complete discography, ratings, reviews and more. [1] Donegan received an Ivor Novello lifetime achievement award in 1995[4] and in 2000 he was made an MBE. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. The man extending the invitation was Chris Barber, himself an aspiring young jazzman. d.write('-1){var j=c.indexOf(';',i);return escape(c.substring(i+n.length+1,j<0?c.length:j))}}}var x=f('__utmx'),xx=f('__utmxx'),h=l.hash; Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. WebLonnie Donegan Meets Leinemann (2-CD) Released in 1999 $11.19 Super Savings List Price: $24.99 Add to Cart Tracks of Disc 1 1. Lumbered In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. 2020, Pop - Released by Weishaupt Music & Entertainment on 3 mei 2017, Country - Released by Master Tape Records on 10 okt. Lonnie Donegan Hit Parade -- Vol 4 (November 1957) Diggin My Potatoes / Bury My Body (1956) . Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. He formed his own group, the Tony Donegan Jazz Band, in 1952. WebLonnie made his chart debut in January 1956 with Rock Island Line. 28, 1957) The version of Leroy Carr's "How Long, How Long Blues" is almost as much a jazz piece as a blues workout, with guitarist Denny Wright subbing on the piano. Pete Huggett - Bass, Strings 1958 In the late '90s, his musical credibility came around again to perhaps the highest level of The man extending the invitation was Chris Barber, himself an aspiring young jazzman. WebScottish-born singer and guitarist who was the greatest star of skiffle, the souped-up folk style that predated British rock & roll. Donegan was only paid a few pounds for the recording, and received no royalties. Carter's "Wabash Cannonball." Cumberland Gap It was exceptionally popular among England's teenagers, who accounted for most of its sales. The name stuck. 3 (May 9, 1957 & August Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. Chris Barber - Bass, Vocals Becky Deen 11. 1956 "Jazz Club"(? Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. Subscription from $10.83/month More than 100 million titles available in unlimited streaming in high sound quality. Casey's Last Ride 2. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. Donegan had 31 UK top 30 hit singles, 24 were successive hits and three were number one. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. Tops at Loving You 6. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. Donegan's attempt at a recording comeback late in the '60s was unsuccessful, but in 1974, a new boomlet for skiffle music in Germany brought him on tour and into the studio anew, and the following year he and Chris Barber toured together and recorded a new long-player, The Great Re-Union Album. The first 13 tracks on this 26-song CD are from various EPs and singles cut by Donegan in late 1955 and early 1956, doing a wide range of country blues and folk material, with repertory by Leroy Carr, Leadbelly, and Woody Guthrie interspersed among country and cowboy numbers, work songs, and field hollers that go back too far for authorship to be identified. Gloryland 7. & Feb. 24, 1957) Subscription from 12,50/month It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. By the spring of 1955, he was signed to Pye Records, and his single, "Lost John," hit number two in England, although it never hit in America. They were successful enough that the National Jazz Federation asked the band to play a show at Festival Hall with American ragtime pianist Ralph Sutton and blues/jazz legend Lonnie Johnson. It was the first debut record to go gold in the UK, and reached the Top Ten in the United States. Donegan was suddenly a star, with a public that wanted more music from him. Sequel Records has decided to honor Lonnie Donegan with its Lonnie 2000 series, reissuing all of his classic Pye/Nixa sides from 1955 through 1962, and ShowcasePlus is the place to begin. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." He continued to appear regularly in the UK charts until 1962, before succumbing to the arrival of The Beatles and beat music. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. Lonnie Donegan MBE (29 April 1931 3 November 2002) was a British "skiffle" musician, with more than 20 UK Top 30 hits to his name. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. His next single for Decca, "Diggin' My Potatoes," cut at an October 30, 1954 concert at London's Royal Festival Hall, was banned by the BBC for its suggestive lyrics -- this hurt sales but also gave Donegan a slight veneer of daring and rebelliousness that didn't hurt his credibility with the kids. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. The record was a hit, racking up sales in the hundreds of thousands. The LP was a hit, securing sales in the hundreds of thousands. Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. My Dixie Darling The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. Bring a Little Water,Sylvie Note: The details on the right-hand side refer to the CD in the Bear Family 8-CD set More Than Pye in the Sky and also to other items in my own collection. Tom Dooley (Nov - 1958) While Donegan was racking up hits -- "Bring a Little Water, Sylvie" (number seven), "Don't You Rock Me, Daddy-O" (number four), "Cumberland Gap (number six), and "Does Your Chewing Gum Lose Its Flavor On the Bedpost Overnight?" Press control & F buttons together, put in song title or part of, then find. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. Best British musicians before the Beatles? Jim Bray - Banjo, Bass 1954 His next single for Decca, "Diggin' My Potatoes", was recorded at a concert at the Royal Festival Hall on 30 October 1954. Thanks in advance. Add 1: In the early fifties after Donegan was demobbed from National Service he joined Chris Barber and Ken Colyer and others called Ken Colyer's Jazzmen which consisted of Ken Colyer (trumpet), Chris Barber (trombone), Monty Sunshine (clarinet), Lonnie Donegan (banjo), Jim Bray (bass) Dickie Bishop (Guitar) and Ron Bowden (drums). http://lonniedonegan.webs.com/pagelinkindex.htm,